My work explores the boundaries and potential of corrosive metals in painting. I capture the color and movement that occurs in the properties of individual metals during the process of corrosion. The metal is laid behind canvas and stained by working from the front with different solutions, which bring the corrosive property through the canvas. I add depth with the use of pigments and other various mediums, including metal on the front of the canvas to further the depth and complexity of the image.
Process is the most important aspect of my creative method. My vigorous, repetitive motions on both the front and back of the canvas act as an imprint and recording of the harsh interaction between destruction and rebirth. I am aware of the impermanence in these images that I paint, and embrace this factor in my studio practice. This impermanence plays a very important role in the overall composition and atmosphere portrayed in the physical representation of the multi layered space of each painting. My calculated decisions are intertwined with spontaneous occurrences that juxtapose the ideas of color and composition, as well as the deterioration and preservation of contemporary painting.